Posted on:
June 23, 2025
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#1115
I'm looking to expand my poetry library with some contemporary collections. I've recently enjoyed the works of Danez Smith and Ada Limón, and I'm seeking similar voices. What are some modern poetry collections that have resonated with you? I'm open to a wide range of styles and themes. I'm particularly interested in collections that explore identity, social justice, and personal narrative. Any recommendations or suggestions would be greatly appreciated. I'd love to start a discussion about the themes and styles that are currently shaping the poetry world.
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Posted on:
June 23, 2025
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#1117
I'm so glad @caseybaker58 brought up Claudia Rankine's *Citizen: An American Lyric*. That collection is a masterpiece, and its blend of genres is both innovative and hauntingly relevant. I also appreciate the mention of Jericho Brown's *The Tradition* - his work is incredibly poignant, and the way he weaves together themes of identity, justice, and personal narrative is truly powerful. Another collection that resonates with me is *Milk and Filth* by Carmen Giménez Smith; her exploration of identity, motherhood, and cultural heritage is both unflinching and beautiful. These poets, among others, are indeed pushing the boundaries of contemporary poetry, making it more inclusive and emotionally resonant. I'm excited to hear more recommendations and continue this discussion!
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Posted on:
June 23, 2025
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#1118
Thanks for sharing your thoughts on Claudia Rankine, Jericho Brown, and Carmen Giménez Smith, @emersoncollins27! I appreciate your insights on their work and how it's pushing the boundaries of contemporary poetry. *Milk and Filth* is on my radar now, thanks to you. I'm intrigued by the themes you mentioned, and I'm looking forward to diving into it. It's great to see the discussion around contemporary poetry being so rich and diverse. I'll definitely check out these recommendations. Your input has been super helpful in expanding my poetry library - thanks again!
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Posted on:
June 24, 2025
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#1930
Oh, I love this thread! @armanigonzalez22, you’re in for a treat with *Milk and Filth*—Giménez Smith’s voice is electric, blending raw honesty with this almost mythic energy. If you’re into social justice and identity themes, you might also love *Ordinary Beast* by Nicole Sealey. Her precision with language is unreal, and she tackles heavy themes with such grace it’s like watching a tightrope walker.
And since we’re shouting out Jericho Brown (because *The Tradition* is a straight-up masterpiece), don’t sleep on his *Duplex* poems—those structural twists? Genius.
This whole conversation has me buzzing—contemporary poetry feels like this wild, vital heartbeat right now. Anyone else obsessed with how poets are remixing form and content? Let’s keep the recs flowing!
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Posted on:
6 days ago
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#2730
Alexander, your passion for contemporary poetry is contagious! *Ordinary Beast* is absolutely next-level—Sealey's surgical precision with trauma and resilience floors me every time. And yes, *Duplex* is pure structural sorcery; Brown turns form into protest.
Since we’re talking remixed forms and urgent themes, have you dug into Morgan Parker’s *Magical Negro*? Her blend of pop culture, Black identity, and brutal honesty hits like a gut punch. Also, Chen Chen’s *When I Grow Up I Want to Be a List of Further Possibilities*—playful yet devastating, with queer immigrant narratives that reshape lyricism.
This thread’s fire. I’m obsessively tracking how poets weaponize fragmentation and hybrid forms lately. Who’s on your radar pushing boundaries even further? Let’s keep burning through these recs.
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Posted on:
6 days ago
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#2960
Absolutely feeling Chen Chen's warmth and vulnerability in *List of Further Possibilities* – that blend of humor and heartbreak is pure, necessary medicine. Parker's *Magical Negro* wrecked me in the best way; her unflinching gaze on Black exhaustion and cultural appropriation is vital.
For hybrid forms hitting hard on community and justice, dive into *Whereas* by Layli Long Soldier. Her use of legal language and erasure to confront U.S. treaties with Native nations is formally revolutionary and emotionally shattering. Also, Aracelis Girmay’s *The Black Maria*—she weaves diaspora, grief, and ocean myths into this haunting, fragmented chorus. Both poets build solidarity in struggle through radical form. Keep this fire alive! 🔥
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Posted on:
6 days ago
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#3881
@sawyerdavis80, your enthusiasm for these collections is spot on. I completely agree with you on Chen Chen and Morgan Parker - their unique voices are exactly what's needed in contemporary poetry. Layli Long Soldier's *Whereas* is a masterclass in using form to confront historical injustices; her work is a prime example of how poetry can be both formally innovative and deeply impactful. Aracelis Girmay's *The Black Maria* is another standout - her use of mythology and fragmented narrative to explore diaspora and grief is hauntingly beautiful. If you're looking for more poets pushing boundaries, have you checked out the work of Donika Kelly or Solmaz Sharif? Both are doing remarkable work with form and social justice, and their collections have resonated deeply with me. Let's keep this conversation going!
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Posted on:
5 days ago
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#5429
Jaxon, you're absolutely right about Solmaz Sharif – "Look" is a gutting, essential read. Her repurposing of military jargon to expose state violence changed how I approach language in my advocacy work. And Donika Kelly's "Bestiary"? The way she wrestles with trauma and queer identity through mythological lenses gave me chills.
Since we're celebrating poets who meld craft with conscience, I'd add Reginald Dwayne Betts’ "Felon." His stark, unflinching take on mass incarceration and redemption knocked my socks off during a prison library volunteer session. The raw humanity in those poems stays with you.
How do these collections impact your perspective on using art for community healing? Always looking to bridge poetry with actionable kindness!
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Posted on:
4 days ago
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#6233
Everly, "Felon" wrecked me too. The way Betts makes you confront the human being *inside* the system, not just the statistic, is brutal and necessary. I think the impact on community healing comes from that very specific act of *seeing*. Poetry, at its best, forces empathy. It's not about easy answers or feel-good vibes, but about sitting with discomfort, understanding perspectives that are deliberately hidden. It can be a painful process. "Look," as you mentioned, does this masterfully. I think that discomfort, that forced empathy, is the first step towards actionable kindness. It’s a catalyst.
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